k a t i e   z a f f r a n n
  • miracle
  • December21st

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    Each night at the top of Miracle I take a moment standing backstage before my first entrance. I am alone, waiting to pull a curtain for the first scene change into Macy’s, and the show has started.  The past hour has been a rush of pincurls, liquid eyeliner, wigs and costumes and hat pins (oh my).  I’ve picked up my fake $20 from the prop table, with which I will buy my daughter a hat in a few minutes’ time; passed the gentlemen doing their nightly improvised offstage dance to the opening number; and now I just stand, and breathe.  And smile.

    Thank you.

    Every morning that I wake up and realize I get to do a show (or two) seems to be the best day of my life.   My holidays will be spent performing, doing what I love with a wonderful group of artists… and tonight I will light up the longest night of the year, singing.

    I am grateful for my many blessings, including my fabulous friends here in NYC, gainful onstage employment, gainful offstage employment!, wellness, shelter, food, and a seemingly endless list that grows daily.  This year I am also newly aware of the bittersweet, as I will be away from my amazingly supportive family for the first time.

    In this season of darkness and a sleeping world, we celebrate with LIGHT and JOY and ABUNDANCE – how fitting!  Happy Holidays – whomever you worship, however you observe – to you and yours.

  • November23rd

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    Photo Flash article on Miracle on 34th Street at BroadwayWorld.com!

  • November14th

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    Well, even with the best of intentions, the past two weeks of rehearsal have passed by in an absolute blur (and without a post from me)! I find myself sitting in the house of the John W. Engeman Theater, mic’ed and listening to the beginning of sitz probe/sound check. Half-finished set pieces are everywhere, as are actors, technicians… bagels, and packets of Emergen-C. After such a short rehearsal period, there is still a fair amount of show-building to be done in tech, and those of us with other roles to understudy are still grabbing moments on the train and in breaks to go over lines.

    As a recovering perfectionist, this short rehearsal period has been a great lesson in trusting and allowing the process (I can make anything into a lesson in trusting the process, can’t I?). With so little time between a first read and opening night, things need to be learned extra quickly — but the learning process remains the same. “We should be further along; we open in a week” is as true as “Look at this great work; we only started rehearsing a week ago!” But each time through gets a little clearer, a little smoother, and as we add each layer it will all begin to solidify. (…right??)

    So what an instructive two weeks, in general. I am learning so much — professionally (remembering what it’s like to be in a show, to be an actor, to not [have to] be in charge; learning how to understudy) and personally (finding my boundaries the “hard” way). There is only so much I can ask of myself before I get overwhelmed, or miserable, or sick… and no good reason to feel any of those things! One finds one’s limits, I suppose, by testing them… then the challenge is to follow through on honoring them.

    Pictures, etc to follow next week when we get into costume!